Sylvester Stallone Calls ‘Hated’ Jewish Producer Who Cheated Him Out Of Millions A ‘Bloodsucker’

(New York Post) We are often told that the notion that rapacious and greedy Jews control Hollywood is an “antisemitic canard”, but we have to wonder if Sylvester Stallone has all but said as much when he described how a Jewish producer took control of the character of “Rocky” with the stroke of a pen:

[Sylvester Stallone] has long been galled by the fact that, as a young unknown in Hollywood, he signed a deal in which he gave up ownership of the “Rocky” franchise, which he created.

Since at least 1976, Rocky’s rights have been in the hands of [Jewish] producer Irwin Winkler.

Now, with the Friday release of “Creed III” — a spinoff of the “Rocky” franchise — things seem to have reached a new low.

While Stallone had cameos in the first two “Creed” movies, he does not appear in this one. In fact, he said on Sirius XM’s “Pop Culture Spotlight with Jessica Shaw” this past November, he will “never” watch the third installment, even though he has a producer credit on the movie.

Last July, Stallone posted to Instagram a photo-illustration of a vampiric Winkler sucking the blood out of Rocky. It has since been removed from the site but can be seen on Deadline Hollywood.

In the caption, he wrote, “Throughout history so many artists in every industry, recording, painting, writing, you name it have been destroyed by these blood suckers Who have destroyed so many families, lining their pockets with other people[‘s] work.”

He’s also described Winkler as “Presumed to be the most hated, untalented, decrepited Producer in Hollywood…”

…It all began in the mid 1970s, when a friend of Stallone’s arranged a meeting with producing partners Bob Chartoff (now deceased and Winkler — who is now a seasoned movie producer on films such as “The Irishman,” “The Wolf of Wall Street” and “The Right Stuff.”

Stallone, a struggling actor, told them about his idea for “Rocky.”

The producers asked him to write the script on spec. It was agreed that, if the movie got made, Stallone would play Rocky.

As explained in Winkler’s memoir, “A Life in Movies,” Chartoff and Winkler had a production deal with United Artists.

It included a clause that would have the studio financing a film of the duo’s choosing, as long as it came in at a budget of less than $1.5 million and they had not made a film in nine months.

“Rocky” became that film.

“Stallone was unknown at that point He had no leverage,” one Hollywood insider told The Post. “It took balls for the producers to let him star in ‘Rocky.’ And that made him a star.”

In fact, it took more than balls. In 1983 Winkler told Hollywood Reporter that he and Chartoff “put up our houses as collateral” in order to guarantee that the movie would come in on time and on budget.

Winkler writes in his book that United Artists chairman (((Arthur Krim))) reluctantly agreed to cast Stallone and wanted to see the actor in action.

He watched “The Lords of Flatbush,” a 1974 film about 1950s street gangs in Brooklyn. Stallone was one of the four leads.

According to Winkler’s book, United Artists, which financed the film, offered to buy the “Rocky” script from Stallone for $250,000…

…According to Deadline Hollywood, Stallone received $75,000 for writing and acting in “Rocky.”

When the movie became a sleeper hit, he wound up earning some $2.5 million on the back-end.

“When he wrote ‘Rocky’ and starred in ‘Rocky,’ he was a brand new actor,” one source told The Post. “Younger actors don’t get ownership. Rarely do studio’s give ownership to anyone. Studios want to own it. When he did the first ‘Rocky,’ I don’t think anyone suspected what would happen with it.”

“How [Winkler] got the rights, I don’t know…” a miffed-sounding Stallone said when interviewed on Sirius XM. “… It was all supposed to be neutral. No one [was supposed to have] had anything more than the other. I don’t care about the money. I want to leave it to my children. I wrote [‘Rocky’] … “

However, Stallone, who is said to be worth $400 million, added that it “is never going to happen. I can’t forgive that.”

Winkler owns the six “Rocky” films and other movies that spin off from “Rocky,” including the “Creed” movies.

Stallone, according to the Wrap, was “never written into the ‘Rocky’ ownership and was unsuccessful pushing for the rights later … ”

…Adding insult to injury, another “Rocky” spinoff, “Drago” — named for the Russian boxer, Ivan Drago, played by Dolph Lundgren, who fought Stallone’s character in “Rocky IV” — is in pre-production.

Seemingly incensed by the news, Stallone took to Instagram in July 2022 and dragged “this PATHETIC 94 year old PRODUCER and HIS MORONIC USELESS VULTURE CHILDREN, Charles and David…” for “picking clean THE BONES of another wonderful character I created without even telling me…”

…Stallone did not hold back on Instagram, posting in July: “I have nothing but respect for Dolph but I wish HE had told me what was going on behind my back. Keep your REAL friends close.”

Stallone played aging versions Rocky in each of the first two “Creed” films, released in 2015 and 2018 (for the former, according to Parade, Stallone earned $10 million). But he’s nowhere to be seen in the most recent entry to the canon…

…Still, he admitted that not being in the movie was “a regretful decision.”

[Black actor] Michael B. Jordan, who stars in and directs “Creed III,” doesn’t seem too bummed about it, though.

“I’ve got a following that love Creed for who he is,” Jordan told the Los Angeles Times. “Some of these people don’t even know who Rocky is. They’ve never even seen the ‘Rocky’ movies. But they’ve seen ‘Creed.’”

Yes, and to add even more insult to injury, the Jewish producer has basically turned the “Rocky” franchise into a vehicle to push their radical racial agenda — replacing the “white” Rocky character with a black one.

And we won’t be surprised if these Jewish producers eventually turn the “Creed” character into a trendy and “relevant” homosexual or transsexual — as all “superhero” characters are now magically morphing into.

Stallone doesn’t seem to understand how Winkler managed to cheat him out of ownership of the Rocky character — but we would bet that the agent who represented Stallone in the original contract negotiations was probably also a Jew who encouraged him to sign the deal knowing that he was signing away all his ownership rights.

But this is how the Jews who — by their own admission do indeed control Hollywood — treat all outsiders — that is, non-Jews — they take ownership of their new ideas and allow them a few of the crumbs that fall off the cake — and expect them to be grateful to have anything at all.

Jews recently complained that the Museum of Motion Pictures actually “downplayed” the Jewish dominance of Hollywood — while at the same time trying to convince the public that claiming “the Jews” controlling Hollywood is a “dangerous antisemitic canard.”

Despite these incontrovertible facts, some Jewish actresses and actors continue to gaslight themselves and the public, claiming the Hollywood is dominated by “white supremacists.”

All that aside, if producer Irwin Winkler had done the right thing and shared ownership of the Rocky character with Stallone, Stallone would easily be a billionaire many times over by now given the popularity of those films.

No doubt Stallone quickly removed the above illustration of Winkler as a bloodsucking vampire from this social media account because someone must have pointed out to him that it “might” be construed as “antisemitic” — and if he — like John Mellencamp — wants to continue to feed at the kosher Hollywood trough, he should remove it.

But there must be some truth in the “canard” that Jews behave like vampires — literally sucking the blood off babies’ penises — or other types of “parasites” — or even “termites” as Louis Farrakhan described them.

Somehow over the last 2,000 years Jews — without the help of mass communication — earned the reputation — in every country they’ve ever dwelled — of being parasites, living on the blood, sweat and tears of honest, hardworking people.

And how does Irwin Winkler justify his parasitical appropriation of Stallone’s idea?

He claims that he had to “risk” losing his own home when the Jewish executive producers at United Artists demanded security for loaning him the money to make “Rocky” — and rest assured United Artists made a killing off that no-risk deal.

Chances are, however, that Winkler’s home wasn’t worth anywhere near the $1.5 million that it cost to make “Rocky” — most likely its value was in the neighborhood of what UA offered Stallone to buy out the script — $250,000.

To award this “risk” for Winkler, Stallone could have simply put a clause in the original contract that stipulated that Winkler’s ownership share would be proportionate to the value of his collateral versus the budget of the film — but his vampiric nature would have dismissed such a fair agreement.

One thing is certain, though — unlike Blacks, Jews long ago realized it was much easier to rob people with the stroke of a pen than with a gun — as E. Michael Jones recently described how a Jew recently bilked legendary golfer, Jack Nicholas, out of his $150 million fortune.

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Full article here; https://christiansfortruth.com/sylvester-stallone-calls-the-hated-jewish-producer-who-cheated-him-out-of-millions-a-bloodsucker/